Elizabeth and James RTW Fall 2012
Both the production quality and the aesthetic, which the Olsens  described as an ongoing play between masculine tailoring and feminine  élan, have evolved with polish and considerable range. “It’s a full  wardrobe,” said Ashley. “We have a huge age range and crossover with The  Row customer.” The palette was collegiate with burgundy, navy, black  and green, and there were twists on plaids, such as a ruched pencil  skirt worn with a marled, cable-knit and cropped ivory peacoat with a  fur collar. While much could be described as classic, the designers paid  equal mind to what they consider trend-appropriate — a smart move at  the contemporary level — including great parkas, layering pieces and a  brocade peplum top that, Ashley said, “felt very now.”

Elizabeth and James RTW Fall 2012

Both the production quality and the aesthetic, which the Olsens described as an ongoing play between masculine tailoring and feminine élan, have evolved with polish and considerable range. “It’s a full wardrobe,” said Ashley. “We have a huge age range and crossover with The Row customer.” The palette was collegiate with burgundy, navy, black and green, and there were twists on plaids, such as a ruched pencil skirt worn with a marled, cable-knit and cropped ivory peacoat with a fur collar. While much could be described as classic, the designers paid equal mind to what they consider trend-appropriate — a smart move at the contemporary level — including great parkas, layering pieces and a brocade peplum top that, Ashley said, “felt very now.”

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    Essa roupa parece feita da napa que meu pai usava pra cobrir o sofá daqui de casa nos anos 90.
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